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After teetering precariously on the brink of self-destruction following a public breakdown and admission of alcoholism, Nathan Williams aka WAVVES brings us a power pop record that alludes to ’60s sunshine pop and bratty, scuzzed-out garage pop punk. Underpinned with a biting self-loathing vibe, King of the Beach breaks free from the hazy laptop recorded reverb-fests of his previous LPs and brings us something different and refreshing from the current spate of sand-logged lo-fi wannabes.