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Jim Jarmusch delivers a slow-burning meditation on noirish thrillers in the vein of Jean-Pierre Melville’s ‘Le Samourai’. Visually enticing (especially during Paz de la Huerta’s scenes), and accompanied by another killer soundtrack (featuring Earth, Boris, Sunn and…LCD Soundsystem????), The Limits of Control is easily Jarmusch’s best work of the last five years.