March 2010 Archives

The Cool King

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artwork_images_113308_124764_william-claxton.jpg Steve-McQueen-Bullitt.jpgSteve McQueen would've turned 80 late last week if he hadn't died at 50 in 1980. So he was a bright and shining star for slightly less than two decades. His cult status began in 1958 as the teen hero in The Blob, which immediately identified him as someone special, because here was a young punk that has the town against him and yet we identify with his intelligence and morality right away. And this is in a low budget '50s monster movie (a fav, btw). Less than two years later he was the cool and sharp-witted gunfighter in The Magnificent Seven. But by then he was a household name as the star of what would be a three year run of the still most popular TV series of all time Wanted: Dead or Alive.

 

steve_mcqueen_two_new_films.jpg steve_mcqueen_1.jpgBut I'm not talking about him here because he was a star in some good movies. He was the coolest actor of his generation, the automatic replacement to James Dean, except who know where Jimmy Dean would have headed, because Steve McQueen seemed to so encapsulate the new sexual revolution and non-political libertarian male that both progressive and conservatives could identify with. He could flower power it with the best of them and then go do the 24hr Le Mans, then appear on Johnny Carson and then go bareback bike riding. And through all this he just looks so cool in all the photos.

steve-mcqueen.jpgBut if there is one film that truly puts him the status of Planet Blog worship then it is his 1968 cop thriller Bullitt. He redefined the action hero, allowed him to be tough as nails, tougher then the bad guys, yet intellectual and person of style. Bullitt makes a big point that he has style, even elegance. After all, the best car chase in cinema history is Steve McQueen in a 1967 Mustang (and you don't have to be into cars to know that's a cool car). And McQueen did all his own driving. I'd like to think that five years earlier McQueen did most of the riding in the coolest bike chase seen ever for The Great Escape.

steve-mcqueen1.jpgBut it isn't about his prowess as a driver but that something actors have tried to copy but can't capture. That rugged Renaissance man, that such an air of cool calm control (even though he made films where he portrayed characters quite the opposite) he played in all his key films and he made those characters all an iconic part of the late twentieth century cinema. Steve McQueen is Reese from Hell is for Heroes, he is The Cooler King, he is Bullitt, he is Thomas Crown, Nevada Smith, The Cincinnati Kid, Doc McCoy, Junior Bonner and in his crowning achievement as an actor he is Papillon.

Steve-McQueen-Photograph-C11797611.jpgSteve McQueen is rightly considered a legend and remains the coolest actor on the Hollywood screen since his death. Only Clint Eastwood surpasses him in icon status but that could well be because Eastwood kept on going. Personally, I think Chow Yun Fat is the only actor that rivals McQueen for on screen cool, but I wouldn't be surprised that he has used the Steve McQueen legacy as many an actor has in the last thirty years. Frankly, I don't think there'll be another Steve McQueen and for that reason his legend will only build.

 

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Farewell, Spaceman

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mccall.jpg05mccall_CA0-articleInline.jpgThe world's pre-eminent artist of space and space technology Robert McCall died on Feb 26th at the age of 90. Within scientific and military world of space travel and aviation he is a legend. Among his many awards and honours is even the Yuri Gagarin Medal the Soviet Union gave him back in '88. He has left behind huge amounts of inspiring and influential art all over the place, from stamps to mission patches worn on the moon to a six-story-tall mural at the National Air and Space Museum.

two_thousand_and_one_a_space_odyssey_ver2.jpgPlanet Blog marks his passing for one particular contribution. In 1968, Stanley Kubrick, asked him to do two paintings to be used as promotional posters for 2001: A Space Odyssey. Those posters did more than anything else to change the idea of the future in the popular two_thousand_and_one_a_space_odyssey_ver3.jpgconsciousness. Prior to this the future was slick pointy-tipped space ships, space men with bubbleheads and cars with fins. With his painting of astronauts working on the moon and the pinwheel space station the future became functional, a workman's environment. A place where people live lives dependent on hardware that look like white goods on steroids and effectively are.

mccall1.jpg mccall_450.jpgAnd the romance of a sophisticated future as we still imagine it today is encapsulated like a genie in a bottle, ready to grant many a hi-tech wish, by Robert McCall's painting of the Pan-Am space plane exiting the double wheel station. It remains the symbol of the dream of humanity in space, the finger pointing to the imaginings of a speccy hardware future.

Not a bad contribution by a guy Isaac Asimov once referred to as the "nearest thing to an artist in residence from outer space".

 

But I do have one question to ask...


Does it goes this way?

  

SH13G13.jpgOr this way?

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Best February Covers...

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... with a couple of Jan and maybe one from Dec.

In the past I've called this segment "Fav Covers". But screw it, I only called it my favourites cause I didn't want to come off as a tosser announcing what is superior design and art when I have no qualifications to do so. Then I realised that those who are "qualified" are simply people other people have allowed to be qualified as "qualified". So if you allow me, here are my best selects for the season.

And click on the pics to get a better scrut.

 

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